If I’m honest, (and I’m going to be), I have been waiting since day one for the bottom to drop out of this adoption thing. Every time an email showed up in my inbox from the adoption agency, I braced myself for the news that for whatever reason we would not be able to move forward.
But every step of the process was smooth. It was like floating out on the ocean on a calm morning, the water smooth as glass all around us, sun warming our faces. Each stroke of the oar pushed us further along without the glimmer of a wave to hold us back.
It was a bit unnerving.
I knew it couldn’t possibly remain so smooth. It’s not just the unpredictability of adoption that threatened to shake us. It goes much deeper than that.
Adoption is spiritual.
The battle for the life of a child begins at conception. Satan hates children. Their vulnerability makes them an easy target. Christ Himself esteemed children in a day and age when kids were not considered a commodity, but rather a property, good only for extra help around the home and the farm.
“Let the little children come to me, and do not hinder them, for to such belongs the kingdom of heaven.” Matthew 19:14
Children are the least of these. They are blessings and gifts, and they will always be in the crosshairs of the spiritual war we battle in this fallen world.
And the fatherless? Well, what better way for the devil to wreak havoc on a desperate and deprived world than to make sure children never find the security of a family?
Walking in faith toward adoption is a step onto one of the greatest heavenly battlefields, and there are bound to be repercussions.
[Tweet “What better way for the devil to wreak havoc than to keep children from the security of a family?”]
The chaos in my dream was more than mere coincidence. It was more than the result of sleep deprivation and a movie. The chaos in my dream was a true representation of the battlefield we are traversing.
In the last few months, it has become more apparent to me than ever that we are under spiritual attack. From a hole in our roof that we can’t seem to get a roofer to replace, (we can’t even get anyone to call us back!) to a car accident, to tensions inside and outside our home, to a very bizarre glitch with the immigration code given to our adopted son that threatened to set us back months in going to pick him up.
I can easily wave all these off, pushing them aside as merely coincidental. We should have called a roofer months ago before the rainy season hit. I should have kept my eyes on the road instead of glancing at my daughter’s new ring. We just need to slow down and take a breath. That immigration coding issue could happen to anyone.
There is truth in all the above statements, and I’m certainly not one to look for the devil beneath every rock, but I also believe that satan wants to throw everything into chaos so that when we pick up our son, we are already worn down, beaten, stressed, and at odds.
We are on the bus, looking out both windows. Panic ensues. The world around us is in chaos, burning, tilting, crumbling.
And then someone hands us a child.
I think there are spiritual implications to my dream, and I’m not taking it lightly. I believe that the child represents our adopted son. Every time I held that baby in my arms, the panic and fear I felt abated. A calm washed over me, despite the fact that the world continued to rage.
Despite all the craziness that has been tossed at us these last six months, I don’t for a second doubt that Sawyer is meant to be our son. And so, despite the fact that water keeps dripping into my walls, my car is still in the shop, and the general feeling in life right now is we’re a half a step behind everything, I feel peace when I remember that this little boy is worth every battle.
Beyond that, it is apparent that the child in my dream is a representation of Christ Himself. The two are connected, our Chinese son and our God. Clinging to Christ is the only thing that makes the chaos less…chaotic.
We are in a battle, a war for the ages. Satan wants nothing more than to destroy this adoption, and why?
Because it is a picture of the gospel. It’s a picture of what Christ has done for us. It’s a picture of Christ Himself.
[Tweet “Adoption is a picture of Christ Himself. #adoption”]
There’s nothing special about our family. We aren’t better than anyone else because we chose to walk this path. We aren’t stronger. In fact, we feel anything but strong right now.
But though the world rages, though the battle grows fierce, though the waves rise, interrupting our smooth as glass ride, though the roof above our head lets in the rain, though the path feels unsteady, still we take tentative steps forward, obediently walking toward not just a call but a command.
“Pure and undefiled religion in the sight of our God is this: To visit orphans and widows in their distress, and to keep oneself unstained by the world.” James 1:27
We believe Sawyer is worth the fight. We believe our four biological children are worth the fight. We believe that Christ is the sustainer, the protector. We believe that the world will keep raging, but our hearts don’t have to falter.
In roughly two months, we will pick up our son. This isn’t the end of our adoption story.
It felt so real that when I woke up, I stared at the ceiling for several moments, separating fact from fiction in my mind, reminding myself of where I was, who I was, and what was true.
In actuality, the dream itself was absurd. It was the likely product of extreme fatigue, an Advil PM, and the movie Jurassic World: Fallen Kingdom, which I’d watched with the kids the night before. But it felt like there was more to this particular dream than just absurdity.
This was the kind of dream you don’t really want to forget, so you take a few minutes to review it when you wake up, solidifying every crazy detail in your brain before your feet hit the floor.
The dream started as most dreams start – right in the middle of the action. There was no lead up, no back story, if you will. If this dream were a novel, the reader would be confused.
I was in China, on a bus. Not too strange, given the fact that we are in the final stages of a Chinese adoption.
Oh, did I forget to mention that? It’s been a while since I shared in this space.
We are about two months away from flying to China to pick up a little boy that’s been set apart as our son. We’ve passed all the necessary background checks, been vetted and scrutinized by the United States powers that be, and the Chinese. We’ve been given the stamp of approval, and now need only to clear a few more hurdles before we go pick him up.
I’m going to tell you all about the events that led us to this little boy in the next post, but for today I want to focus on the dream.
So I was in China, on a bus, and I was scared. Terrified, actually. Outside the left window of the bus, a volcano smoked and belched ash. Flecks of lava spit from the top, and the air was kind of fuzzy and hazy with heat and smoke.
Outside the right window of the bus, winds swirled and howled as a hurricane whipped its way toward us. No matter which way I turned, there seemed to be chaos, and the overall feeling inside the bus was that of impending doom. People screamed and jostled around. Nothing felt safe or secure. It felt overwhelmingly frightening.
Now, trust me when I tell you that the silliness of all this is not lost on me. Like I said, I’d watch Jurassic World the night before with the kids, so the seed of outrunning a volcano was firmly planted in my consciousness (though, to be honest, it would have been kind of cool if I’d also been outrunning dinosaurs while escaping raining lava. Chris Pratt gets to have all the fun…).
And one year ago today, we were packing up our house and heading to a shelter as Hurricane Irma barreled toward Florida. That the two natural disasters came together in a single dream is not all that far fetched.
But there was more to my terror in this dream than those two events. Something deep inside me felt unsettled, like the moors of confidence had slipped away and I myself was being swept up in the winds outside the window.
I felt panicked. My heart was racing, my hands were shaking, and my throat was completely dry as my head whipped side to side and people screamed around me.
Then someone handed me a baby.
He was very, very small and had a head full of thick, black hair. His twig-like arms flailed and his legs kicked as he wailed. I don’t know where he came from or who put him in my arms, but somehow I knew that I was supposed to be the one holding him.
I pulled him tight to my chest, and immediately the feeling of panic disappeared. I didn’t hear the screams or the wind or the thunder of the erupting volcano. I didn’t feel the bus bouncing, and my heart beat calmed. I stared at his face, though I couldn’t really make out any features.
For a split second, I let the sounds of what was happening around me seep back into the moment. I looked up, confused, and tried to hand the baby to someone next to me, a faceless person who took the child from my outstretched hands. As soon as I let the baby go, the feeling of panic returned, the sounds around me were deafening, and I felt an immediate sense of dread.
I reached for the child again, and he was placed back in my arms. This time, he reached up for me, and I pulled his cheek to mine. The second our skin met the noise and panic and fear subsided again.
I was twenty years old, and I was living alone in Kiev, Ukraine.
Not totally alone, of course. I was living with a young, Ukrainian couple who spoke English (but often refused to speak it because they wanted me to become fluent in Russian), but I didn’t have any peers with me on the trip.
I was in Ukraine for two solid months before I even met another American. Looking back, I know this was a good thing. It forced me to adapt to the culture and the language, and it made me brave.
But I was lonely those four months. Trying to communicate in another language is exhausting. In the early days when I was completely alone, my only respite came from 3:00-4:00 in the afternoons after school.
I’d arrive home to an empty apartment and turn on the TV. Beverly Hills 90210 played weekday afternoons, and the translation lagged just enough behind the English that I could tune it out and listen to the show in my native tongue.
I never watched that show as a young girl, but I saw nearly every episode in Ukraine. I became well acquainted with Brandon, and Brenda, and Dillan, and Kelly, and all the others whose names I can’t remember now…
Outside of riveting television, though, I found my greatest comfort inside the pages of my journals. I wrote until my hand hurt, recording everything from the mundane moments of my days to the hysterical gaffes I made (I slipped on ice and fell on my butt more than once rushing to and from school).
After a weekend excursion to Prague, I came home with an English language copy of the book Jane Eyre, which I’d found in a little store near Charles Bridge. I devoured that book twice in my remaining months in Ukraine, and suddenly my journal pages were filled with poetic imagery. I used language like, “the leaves dance to the ground in a silent waltz,” and “the birds soar above my head on wings of freedom.”
WHO TALKS LIKE THAT?!
Twenty-Year-Olds who have too much alone time, that’s who.
It’s been 18 years since that life-changing experience. 18 years since I sat on a bench on a Ukrainian hillside overlooking the Dnieper River, and vowed to become a storyteller.
But what’s even more amazing is that it was just the beginning. That was only the first spark in my creative journey. It’s been a slow burn, sometimes dimmed by the pressures of every day life.
Motherhood slowed down the dream, but in a good way, because motherhood was a dream in and of itself. I’m living both dreams side-by-side, and it’s a messy little blending of the two. But I wouldn’t have it any other way, because this is better than anything I could have imagined 18 years ago as a lonely American student in Ukraine.
It’s also harder than I thought it would be.
Beautiful. Hard. Messy. Dream.
Those words all fit together in this puzzle of life. They’re tangled up, each piece getting its turn to take the spotlight.
Life Creative: Inspiration for Today’s Renaissance Mom releases on September 27. This is a book written for moms who are walking the line between motherhood and art. It’s a book for moms who had dreams long before they had children, and they want to know if it’s possible to blend the two parts of themselves.
[Tweet “Life Creative celebrates moms fitting their inspired lives into the ordinary places of motherhood.”]
Click here to sign up for the launch team. You’ll be sent instructions on how to download the book, as well as how to join a private Facebook group for launch team members.
Creative moms are coming together and linking arms, all of us agreeing that this life creative is equal parts grand and exhausting. We’d love to have you join us as we bring this encouraging message to all the moms who remember dreaming on a hillside so many years ago.
I work in a profession that requires thick skin. I put my heart out there, tapping each beat to the rhythm of my keyboard, and I hand it to a friend, an editor, the world via a blog post, and then I wait for the feedback.
I learned to accept criticism in college. My senior year, the class Writing for the Popular Market would be the training ground for giving and accepting constructive criticism.
That was also the year that I began to associate editing with coffee.But that’s a different topic for a different day.
Once a week, my classmates and I, along with our professor, sat in a circle in the local coffee shop, or on the couches in the room above The Sub, and we’d dutifully hand the ten pages we’d written in our novels that week to the person sitting just to the right.
Then we’d sit back, sip our coffee, and read one another’s words.
There were only six of us in the class, and by the end of the year, we each had a completed manuscript. This would be the first draft of my novel. It was the beginning of learning to communicate through story.
I’m grateful for the lessons learned in that small class. I’m glad I learned to hear someone criticize what I wrote, and not take it personally. It’s a necessary skill, and it’s one that’s served me well over the last fifteen years since I graduated.
When I shared the news that my novel would be published last week, I received so many wonderful, encouraging messages and comments from all of you. And I cried a lot as I read through them, because fifteen years of waiting and dreaming of seeing this book published suddenly took a realistic turn.
I received a lot of rejection letters for the various drafts of my novel. For a long time, I kept every rejection letter I received. After reading Stephen King’s book, On Writing, the notion of a stack of rejection slips seemed almost romantic.
[Tweet “There is a refining power in rejection. It either makes you, or it breaks you. “]
See, when I started the process of trying to get my book published (an earlier version of it that is nothing like the one coming out next spring), I did it the old school way. I mailed letters – actual letters written on paper.
I sent query after query in the mail, along with book proposals and sample chapters. And I included in each stamped envelope, a Self Addressed Stamped Envelope (SASE) for the publishers to send me his response…which was usually a big, fat no.
Every once in awhile, though, there would be a glimmer of hope. A note, scratched at the bottom of a form letter from the editor encouraging me to keep writing.
Those rejection slips went to the top of the pile.
I tossed the folder of rejection slips when we moved, because I was over the romanticism of it all by then. And the world had moved on to email, so now I had the privilege of receiving electronic form letters, and that felt a little less nostalgic. I wish now, though, that I had that stack of “No’s”
Because I’d love to see it dwarfed next to the contract that says “Yes.”
I haven’t really minded all the rejection, if I’m honest. I’ve been impatient at times, of course. And there were days when I’d feel terribly discouraged over it all. But in all the years of waiting and hoping, it never occurred to me that I should give up on the book.
There are some stories that just get under your skin, and this story that I’ve written is one of them. The characters crawled into my very being, and I knew that someday I’d see them really come to life in print.
So I waited, and I pushed, and I simply refused to take no for an answer.
[Tweet “Rejection doesn’t mean the end of a dream. Rejection says you’re on the right track.”]
If you’re in a place where “No” is the only word you’re hearing, can I just urge you not to give up? Sometimes you have to wade through a whole lot of “No” to get to “Yes.”
And when that happens, you’ll find that the “Yes” is so much sweeter after the waiting.
I don’t really know where to start this story. Julie Andrews says we should start at the very beginning. It’s a very good place to start.
So maybe I should start in 1995, when I was a junior in high school and I visited Kiev, Ukraine for the first time. While there, I was invited to dinner at the friend of a friend’s house to meet her grandmother, a World War II survivor.
That dinner changed the course of everything.
I sat at the table of a small, grey haired babyshka named Maria who told me her story of survival in a German slave labor camp. Maybe it was the twinkle in her eye, or the way the light glimmered in her silvery hair, but something happened inside me that evening.
That was the night I fell in love with the Ukrainian people – the night the story was born.
***
But maybe I shouldn’t start there. Maybe I should start 1999. I was twenty-one, and I sat behind the desk as the professor explained the goal of our two semester course.
We would leave Baylor with a finished novel.
He encouraged us to begin brainstorming what we’d like to write about, but I already knew. I wanted to tell the story of Ukraine, of the devastation at Babi Yar, the darkness of those desperate years, and the partisans who pushed back against the Germans.
I also wanted to encapsulate Maria in a character, right down to the way she tutted over a plate of food.
***
Of course, I could easily start the story in 2003, when my mom and I (and my five-months pregnant belly) hopped a couple of planes and returned to Ukraine where we would tour the country for a month interviewing countless veterans as I continued on my quest to publish this book of stories.
I already had a publisher lined up at that point. It would all end up falling through at the last minute, but the stories I pulled in that month would simmer a little longer. They waited for me through the birth of three children.
The story needed me to tell it, but first I had to live a little.
***
Technically, I could start the story in 2011 when I finally found the voices of each character. I knew, in the flourish of a few sentences, that the book was taking the shape it was always intended to take.
I tapped away at the stories in the tiny slivers of my day. Nap time. Early morning before the kids woke up. The occasions now and then when I was able to sneak away and write. It was a slow process.
I guess I could start the story in 2012 when I attended the Blissdom conference, and I sat in Jeff Goin’s break out session on writing. I sat at a table with Anne of The Modern Mrs. Darcy, Megan from Sorta Crunchy, Ruth from The Better Mom and Laura, the Hollywood Housewife, and I sort of vomited out my dream of finishing this book and having it published.
They were all beyond encouraging, and supportive, and genuinely sweet. And perhaps slightly baffled by my tangle of words trying to explain my need to finish this project?
***
I can’t tell the story without looking at 2013 when we saw the collapse of our adoption. Writing was the only thing that pulled me out of depression. Tapping into the heartache of others healed my own wounded heart. I typed THE END in 2013.
The only other place I could see beginning this story is last fall. Two years after finishing the book, I still hadn’t been picked up. I’d queried so many agents and publishing houses, and was always met with the same comment:
“Love the concept, and the writing is great. But fiction is a hard sell.”
So I waited, and I sent more query letters. So many queries. And last fall, someone took a chance on me. A literary agent saw potential, and she appreciate my passion. She took the manuscript cautiously, and two weeks later I received a text:
“Just finished your book and WOW can you tell a story. We’re going to see what we can do with this.”
But that’s a lot of beginnings, so maybe I should just begin with the phone call I took three weeks ago with Kregel Publications when they told me they would be publishing my book next spring.
Did you hear that?!
My novel will hit bookshelves in the Spring of 2016.
After our conversation, in which we spoke of the novel and topics for potential future books, I hung up and walked out to the kitchen. As soon as I saw Lee, I burst into tears.
It all felt overwhelming. Twenty years of dreaming, of writing, of perfecting and refining the story all came to fruition in a minutes long phone conversation.
I’m a novelist.
I can’t wait to share this book with you all. Stay tuned for more information!
(And for more on my publishing journey, check out this post where I share the news that my second book will release in September next year. 2016 is going to be crazy!)
